Women Fashion Blogs

6 years old, first time mother wearing white shirt sewing admission grade, a kid from the dirty face and sunny all day because, as busy against the sand, in the mirror I realized then that I did not so bad.

Smudgy wiping face another away, neatly braided hair and the other was threadbare, white shirt collar area lotus mother meticulously cutting, stamping carefully patterned skirt with purple ranked pli three buy, to look well "oách "funnily enough of.

From that time on, I considered the most stupid thing a girl can do is throw away the shirt. Or is routine in any fashion shop, from the spotless new to old secondhand, I have looked to the first row shirt, though in a less than 2m breadth cabinets my legions Profile mi is cry bitterly for not knowing where to come in.

Shirt is the first fashion items help I realized I was a girl. First of all size dresses(formal dresses online australia), makeup before, before items momentum tune any girl my age also owns, except me.

I can not buy the whole year a new dress, but I would probably autism if a week is not wearing shirts. Old also. Stock virtue also. Boat neck also. Victorian momentum rhythm also, that such casual dress pristine white collar my heart was in a fair hunt spring as possible a few years ago ...

Like the girls could tell walled name ranks its age, weight, height, even the "level" of the glasses of his former lover ever bring, I can tell no fault characteristics, materials of the each shirt was I brought back.

Like the girl in the head can record every moment of the first love, the love Monday or their present; I can remember with this shirt, I how to get it, with the other shirt, I was wearing it on what occasions, or if I have to rush that trot forgotten shirt somewhere that does not, I will bring them back at all costs no more than two days after ...

There's clearly a previous life, I owe almost nothing to the shirt or not, but in this life, like a girl you've ever sarcastic, my lack of love also, but did not complete lack shirt. I will be sad, I will be depressed, I would even lonely.(http://www.dressesmallau.co/formal-dresses-melbourne-c326/)

So, if the next life, or the life after that, asked him not to make me choose heaven. Just me and the shirt, it was enough ...

Prepare gentlemen because this is going so fast that if you blink, an important part of the story is lost.

After the Sabbath was given the first "casting" to elect the new Miss Panama, now transpired that since yesterday, by opinion of the jury, we already have a candidate to represent us in the Miss Universe 2016, yes, official and notarized.

Cesar Anel Rodriguez confirmed to the website of "everyday" , which, indeed, was a reality and that the higher the score, the girl in question had been elected; He also assured that next week will release the new queen of beauty of the country and will be held the coronation.(best formal dresses)

Remember that the rest of the youth of that hearing, and those that lie ahead, in addition to the regional competitions are girls who enter immediately into evaluation to choose the 20 finalists who will compete in January for being Miss Panama 2017, for contests that year; This decision was taken to have several months of preparation with the elected and polish for best results.

The most talked

Of course, and the effect of meat on a stick, we could not help giving us our tour of the "casting" on Saturday, and know that since that time there were four favorites for the crown this year. Yes, gentlemen, obviously we can not assure you that one of them is, as the identity of the lucky is practically a state secret, however, not be now, these girls are "almost certain" to the 20 finalists 2017 options, as we hear .

Laura Di Sanctis, who is a model of different advertising campaigns and Physical agency; Margareth Luna, who came to know that designer dress(http://www.dressesmallau.co/semi-formal-dresses-c196/) to the hearing; Julianne Britton, also a model, and last but not least because, in fact, is the most high-profile, is Keity Mendieta, better known now (for reasons so far unknown) as Keity Drennan, who was a finalist for Miss Panama 2011.

Justine Pasek

We chatted with the "miss" Universe 2002, and now general manager of the contest, for comment. "The girls were very sweet and he shared with the jury what motivated them to join the 'casting' ... It was an honor to have confidence," he said and thanked the support and assistance that day.

Justine assured us that there is "very good potential candidates for Ms. Panama", but two are still missing auditions. "We have to finish the process," he said.

Grace, refinement and creativity are the watchwords of the evening awaited the main event of the authentic Moroccan high sewing "Caftan 2016", which celebrates its 20th anniversary in the ocher city, with collections of the finest stylists Moroccan, reflecting a re-interpretation of the millennium and diverse cultural heritage of Morocco.

More than a parade of traditional costumes, the evening of "Caftan 2016", held at the Palmeraie Golf Palace & Resort, was the moment of revelation of the coming trends for Moroccan haute couture, pallets colors and fabrics to be taken by the woman who always tries to show elegant.(cheap formal dresses)

The 14 designers present at this edition, managed to dazzle the audience with the beauty and magic of their collections inspired by the theme of this edition "eternal costumes", and compete ingenuity drawing female silhouettes another time through rich color palettes, precious fabrics, elegant cuts and finely crafted accessories.

Outfit with which the mannequins are dressed themselves, the majority were lined by hand with gold and son inlaid crystal stones, especially surprised by their quality, their sublime marriage of colors and brilliance.

Meryem Boussikouk, Samira Mhaidi Knouzi, Meriem Belkhayat Nisrine Ezzaki Bakkali Siham El Habti, Abdelhanine Raouh, Khadija Elhoujouji, Salima Elboussouni, Myriam Bouafi, Fouzia Naciri, Zineb Lyoubi Idrissi, Halima Chami, Nadia Benjelloun and Amal Idrissi have all tried to get the challenge of creating a collection that tells the story of King costumes, the caftan, which alone embodies much of the beautiful history of inventiveness, creativity and intelligence.

This year, each designer presented six outfits in which he chose to preserve traditional lines seems to have turned its back on deconstructed cuts and asymmetric, to keep the end a caftan that flirts with evening dress(http://www.dressesmallau.co/short-formal-dresses-c103/), combining the chic simplicity with the motto of sublimating Moroccan women.

Creativity in the field of caftan is not kept women hunting, since among the exhibitors at this 20th edition Figure Moroccan designer, young rbati Abdelhanine Raouh, which gives free rein to his creative imagination to showcase the lines women in new forms and unexpected volumes.

"Caftan 2016" was marked by alternating the show of fashion and artistic paintings also inspired by various world cultures. Moroccan artist Samira Said and Bachir Abdou were also of the party at this edition, alongside the rock star Samia Tawil.

The evening ended with a very patriotic finale, highlighting what united all the public, namely a Moroccan vibrant, rhythmic and colorful whether by birth or affinity.

Launched in 1996 by the magazine "Women of Morocco," Kaftan is twenty years the main event of the Haute Couture Moroccan and Arabic as well as an essential reference in fashion.

Since its inception, Kaftan wants emanation of Moroccan and Eastern creativity, and is part of a real revolution in traditional dress and accompanying the evolution of Moroccan women.

Each edition is dedicated to the development of high Moroccan and Eastern couture, through innovation and artistic creation, and is enhanced by the massive participation of famous stylists Moroccan caftan, which gave a lot to this art, in trying to connect the past to the present and ensure that the caftan, while subject to innovations, keeps its original and traditional look.

Understanding your body is the key to looking good and a trait found amongst all impeccably dressed fashionistas. While people shy away from talking about their bodies, these brave souls explain how they work their anatomies to their advantage(white formal dress)

How would you describe your body type?

It’s hard to categorise your own body type, but I would say my body is more pear-shaped — I have a thin upper body, but a tricky lower abdomen that needs the most attention in terms of toning.

Has your body type changed over the last five years?

Tremendously! I used to make bad food choices, and got away with eating almost everything before my first-born. I had never worked out, and didn’t feel the need to. However, during my pregnancy, I ended up gaining a whopping 23kg, over and above what one normally gains. That’s when I really struggled with my body. I started working out, initially only with yoga, but then added cardio and strength training to my routine as well. I started making healthy food choices, like substituting carbs with super-carbs, brown rice instead of white, whole-wheat pasta instead of the regular kind. Two years later, I was in the best shape of my life!

How has your style changed over the years?

I used to adhere to baggy shirts and only experiment with my lowers — everything from skinny jeans to printed pants, to culottes, to flared pants. I could never pull off a fitted top, and shied away from exposing my stomach. However, now that crop tops and ghagra cholis are in fashion, I love wearing short tops. You can pair them with flared pants, pencil skirts, or wear them with jeans and a long structured jacket. For me, fashion is about experimenting. Thanks to Instagram and fashion magazines, international style-spotting has been made so easy. Even our local prêt wear is in line with with international fashion trends.

In your opinion what is your most troublesome area?

Without a shadow of doubt, I would say my core.

How do you dress(http://www.dressesmallau.co/yellow-formal-dresses-c172/) your body according to your body type?

I try to wear clothes that complement my body well. I have skinny legs, so a nice pair of fitted skinny jeans does the trick for me. I love wearing classic tops and especially love clothes by Anne Fontaine. They are vintage and so trendy compared to the boring shirts we see everyday. A crisp black and white shirt with a statement clutch and a pair of flattering jeans is my go-to look!

Sportina Group, a leading retailer in Southeastern Europe with more than 315 trades in nine markets, opening 7. 4. 2016 first independent trade Esprit in Croatia. The store will be located in the shopping center City Center One West in Zagreb. With independent trade only in Croatia, which will certainly bring a new wave of fashion on the Croatian market, fashion brand Esprit is available from the second month and in multibrand stores Sportina.(formal short dresses)

Esprit is on the market since 1968. Simplicity, freshness, authenticity and relaxed just a part of fashion attributes and successful fashion brand. The new collection Spring-Summer 2016 is his followers indicated that the inspiration for the modern look can look everywhere, and it can be modern and in their daily operations. The beauty is in the details.

The collection, which flirts with the style of the 70s, photographed in Paris with the famous Canal St. Martin. Blogger and model Candela Novembre and Argentine model Maximiliano Patane are walking through the picturesque landscape of this Parisian neighborhood show the playful side of the latest collections. In the local bistro are afforded a glass of good wine in a cafe around the corner sip scented coffee. Bought the first spring roses, crispy bread and other precious trinkets that adorn life. Esprit is in the spring-summer season, supplemented style seventies layered dressing: bulky sweaters are combined with tight dresses(prom dresses). Wide know, light blue jeans, a special overalls in denim will be playful pieces with which to flirt Esprit fashion lovers. The collection is intertwined boho style, which is in its own way provided a combination of romance and freedom.

Skirt lengths barely register at the latest exhibition at Les Arts Décoratifs. They simply can’t compete with more dramatic changes in silhouettes across 300 years of French fashion history.

Women’s waistlines rise and fall like the puck on a carnival high striker. Sleeves balloon and deflate during the so-called romantic period, while skirts seem only to expand across the 18th and 19th centuries, bulging to the size of a walk-in closet and supported by cruel wire crinolines.

By contrast, men’s vests performed an incredible shrinking act, from long, loose and flaring around 1700 to short and body-hugging by 1800.

The task of narrating and decoding this dizzying shape-shifting fell to Pamela Golbin, chief curator of fashion(http://www.dressesmallau.co/black-formal-dresses-c104/) and textiles at Les Arts Décoratifs, who opted for a chronological showcase that mingles treasures from the national costume archives — from Napoleon’s coronation stockings to a hooded sweatshirt right off Vetements’ fall runway — along with rare furnishings, wallpapers, toys and objects from the museum’s other collections.

Titled “Fashion Forward, Three Centuries of Fashion” and with H&M as exclusive sponsor, the display marks the first time a fashion exhibition has taken over the museum’s grand nave. It opens to the public Thursday and runs through Aug. 14.

Leading WWD on a private visit Monday, Golbin recounted how fashion has always been a signboard for stature, a reflection of changing tastes and lifestyles and — for long periods in history — hugely uncomfortable for women.

As artistic director of the exhibition, choreographer Christopher Wheeldon, who won a Tony Award for “An American in Paris,” created short movies with dancers from the Paris Opera to show the piles of panniers, corsets and petticoats that underpinned a robe à la française, or sack-back gown, the template for women’s clothes for almost two centuries, the volumes swelling from the hips in the era of Louis XIV, and from the derriere under Napoleon III.

Across the displays, set in a series of nooks before culminating on monumental staircases under the soaring ceiling, Golbin has sprinkled fascinating anecdotes, revealing that even restrictive fashion had a practical side. For instance, among the 300 or so ensembles on display are multiple examples of what Golbin called a robe à transformation, a two-piece dress popular in the mid-1800s.

“A fashionable woman could change clothes five to seven times a day,” she explained. “This idea of mix-and-match was very important because these dresses(http://www.dressesmallau.co/formal-dresses-canberra-c329/) were quite big investments.”

Similarly, under Louis XV, women could alter the appearance of pinch-waist gowns with triangular panels of embroidery stitched or pinned to the stomach.

Golbin included displays of accessories with most vignettes, ranging from Lalique perfume bottles to Empress Josephine’s impossibly narrow shoes. Oddities include the courtly costume for Louis XV’s pet monkey — all the rage at the time — to a paper doll set from 1860 called “Modes Parisiennes,” which itself plays with the evolution of the silhouette and the elaborate nature of period fashion.

The designer era is heralded with two dresses by Charles Frederick Worth, who opened his couture house in 1868. “Up until then, women chose their own style with their choice of fabric, accessories and embroideries,” Golbin explained. “He said, ‘I’m going to create for you.’ All the rules of contemporary fashion started with Worth.” Cue seasonal fashion shows, celebrity designers and the branding era.

Among treasures on display is a cache of outfits by Paul Poiret that announced the umpteenth return of the Empire waistline — and an emphatic rejection of the corset. The modernity of ensembles from the Twenties and Thirties by Chanel, Lanvin and Mainbocher is particularly striking.

The circuit culminates with the coiling staircases, where visitors can gaze up at designer fashions from each post-war decade, from full-skirted New Looks by Christian Dior to an “unwearable” metal dress — and multikilo Plexiglas and feather cape — from Paco Rabanne.

His-and-hers beaded dresses from Jacques Esterel announce the Seventies and remind the visitor that androgyny is not such a new idea. Noteworthy dresses include the buttock-baring Guy Laroche gown worn by Mireille Darc; a caped Emilio Pucci ensemble commissioned by nightclub powerhouse Régine Zylberberg; one of Karl Lagerfeld’s first suits for Chanel, circa 1984, and his sequined tuxedo jacket for H&M 20 years later that ignited the frenzy for high street/designer collaborations.

In a side project, H&M partnered with Les Arts Décoratifs for the latest edition of its Conscious Exclusive line of red-carpet looks made from more sustainable materials. Inspired by the archives of the museum, the 33-piece line is to launch Sunday in around 180 stores worldwide and online.

The museum’s fashion collection spans more than 150,000 items, ranging from ancient textiles and outfits to couture and ready-to-wear creations, accessories, drawings and photographs.