Women Fashion Blogs

Lithuanian Olympic clothing has attracted many critics. Party, designers and well-known people made fun of "weaving" outfit. Criticisms voiced and jumping height Olympian Airinė Palšytė. And now Monton design team has announced it has developed clothing Estonian national team.

"I have nothing against a blue color, because it is very fond of, but I'm not sure that this color has anything to do with Lithuania. It really is more suitable for those already Estonians, "- wrote A.Palšytė. She seems to hit accurately, because the Estonians will be blue.

Are you in Rio de Janeiro, they will be more stylish than Lithuanians?

Product and Lithuanians

Part of this collection of materials and garments made in Lithuania - Utenos knitwear.(cheap prom dresses)

The Olympics in Rio de Janeiro is not the first, when the Estonian national team clothes which the company Baltika Group operated brand Monton. The brand uniforms Estonian athletes already wore Athens, Turin, Beijing, Vancouver, London and Sochi Olympics. Monton is the official sponsor of the Estonian Olympic Committee since 2004.

By the way, for many years the Estonian national team in the international media has declined among the most stylish of the Olympic teams.

Baltika Lithuania director Victoria Krolytė say that the Rio de Janeiro Olympic Games create a collection inspired by the history of Estonia and the people of this country access to the sea. Estonia - a maritime country, where nearly every human life in one way or another connected with the sea. The sea is this nation's culture, knowledge, traditions and beliefs share. The sea and the sport can be described in the same words - this is the power and beauty, unpredictability and strength ", - said V. Krolytė.

Creating clothes for one of the biggest fashion catwalks, and take into global fashion trends and technology news. The aim was to wear to pull the eye in a complete style, is functional and pleasant to wear. To this, by the way, a significant contribution to the Lithuanians - part of the Estonian national team collection of materials designed and sewed clothes of Utenos knitwear.(http://www.dressesmallau.co/simple-formal-dresses-c407/)

Estonian Olympic clothing "Utena knitwear used the latest kompaktuotus quality cotton yarn. Kompaktuotų (compressed) yarn better wear characteristics, longer wear life, easy maintenance. Despite the fact that "Utena knitwear technologists can build and knit the different composition of the material according to customer demand, Estonian Olympic collection Monton chose material from natural, breathable, sweat išgarinančių vegetable fibers.

Striped material knitted by the knitwear factory-dyed yarn. All paints used conform to the international quality certificate gots. This means that the paint is eco-friendly, they are painted with materials resistant to environmental effects, bright colors that resist fading.

Exclusive Olympic collection, released in a limited edition.

While watching Bethenny Frankel verbally eviscerate one of her fellow "Real Housewives of New York City" or waiting anxiously to see which finalist snags that 4.25-carat Neil Lane diamond ring from "The Bachelor," have you ever wondered whether their wardrobe choices are as real as the "drama" that's unfolding? After all, when a show has a script, it involves a costume designer to help support the plot line, character development and overall vision. But what about non-scripted shows, or what we all lovingly refer to as "reality TV?"

For a couple of "Housewives," it's very real. First, because, the audience expects a level of authenticity. "Viewers [are] very much interested in non-scripted costumes and what we wear," says toaster oven chef and "RHONYC" co-star Sonja Morgan. "It's our real life. They know we pick our outfits ourselves. We design our lifestyles ourselves within our home and the image we present, so that peaks their interest more than scripted [shows]." Morgan wears clothes selected from her very organized closet, which includes a lot of red — her "signature color" — and vintage collected throughout the years. Of course, Housewives are wont to start their own fashion lines and give their designs some screen time — an organic product placement of sorts — like when Morgan wore a red tuxedo jumpsuit from her self-named fashion line in last season's finale.

"Yes, that's the thing on those reality shows, you have to wear your own clothes," confirmed fellow NYC "Housewife" Carole Radziwell at a B Floral event. "I go up to my closet and I try to find something that I haven't worn that week. Usually, I like to have a little bit of a uniform," which includes about 18 pairs of leather jeans, Frame Denim and Cushnie et Ochs dresses(cheap formal dresses).

While most "Housewives" have no problem funding their own wardrobes, "there really isn't a budget for wardrobe at all in reality [TV]," says executive producer Cherie Kloss, who has brought us "Swinger Wives" on TLC and "Neighbors With Benefits" on A&E. "All we do is just give suggestions and if it looks really bad, we might say, 'hey, can you change it?'" Similarly, "Vanderpump Rules" star Scheana Marie says producers will make suggestions for solo interview looks, but for aesthetic reasons. "Some colors look better on camera than others," notes the Sur server and model/actress. "But that's the only time. We bring our own options and they pick what they think will look best with the lighting and background. They like solid colors and sleeveless." (As for Radziwell: "I don't listen.")

Even if there isn't a script involved, a cast member's style helps establish a character and the narrative. For instance, when a supposedly rugged construction worker from Alabama showed up on set in the Amazon — for History Channel's "Bamazon," naturally — in a country club polo, producers immediately ordered an outfit change from his own suitcase. "He literally looked like he came from a University of Virginia frat house or something," Kloss says.

On the flip side, performance-based reality shows, like NBC's "The Voice," do have a wardrobe budget and a costume designer. Erin Hirsh and her team dress(semi formal dresses) contestants, musicians, dancers and coach Blake Shelton. (Fellow coaches Gwen Stefani, Pharrell and Adam Levine use their own stylists.) The aspiring singers do wear their own clothes for the audition process, but with coaching from Hirsh. If the audition outfits aren't "stage-y" enough, she'll augment them with pieces from the show's closet, which consists of bought, loaned, gifted and vintage pieces. Once the teams are secured, Hirsh is responsible for the contestants' performance looks, keeping the mood of their songs and stage personas in mind. The "reality segments" are a mix of personal and show pieces, though. "There's stage-worthy and there’s TV-worthy," says Hirsh. "What translates in real life oftentimes looks like a slob on camera, so we just try to make everybody look [like] a cleaner version of themselves."

Then there are the dating-based reality shows. ABC's "The Bachelor" and "The Bachelorette" employ a stylist, Cary Fetman, to help communicate the charisma of the Ben Higginses and Kaitlyn Bristowes of the long-running shows. "I'm merely there to facilitate giving them a little more polished version of who they are," he says. After a chat with the titular star, Fetman will begin fittings a week or 10 days before filming starts, which can last two 14-hour-days. "We set up a wardrobe room that is just rack after rack after rack, so you might have 70 gowns on three racks and then you move on to pants," he explained. He creates up to 134 outfits for "The Bachelorette" lead to accommodate date settings, international locales and drastic weather changes.

However, "The Bachelor" contestants do stuff their own crop tops, Chucks and lace — the fabric, not the person — into the regulated two suitcases for as many dates and rose ceremonies as they last through. "I'm so hands off of the contestants," Fetman says. "I would die if somebody actually won or lost based upon [how he or she is dressed]. I don't want to be a part of anything that will influence that." With some exceptions: Fetman helps dress contestants on those "Cinderella dates" and the finale. "When I do do them, you know I've done them," he says.

Fetman both shops and, with increased fashion interest in the shows, enjoys more access to borrowing clothes from brands that approach him, like Randi Rahm for high-end gowns. He also tries to incorporate accessible pieces, as blogs like Possessionista document all the fashion for obsessed fans. "I like the fantasy part of our show, but I also like the realistic part where you, too, can be dressing like Emily [Maynard] or like this one or that one," he says.

An on-screen wardrobe may involve business arrangements, too. "I do a lot of stuff with lulus ," says Marie of "Vanderpump Rules." "Pretty much all of last season, I was wearing Lulus in every interview look and most scenes and now I'm wearing a lot of Style Delivers on Melrose." She also enjoys some gifting, but either way, Marie makes sure to tag brands on social media. "Because so many people ask," she says. "It's like, 'where was that orange romper from?' and I always will shout out the companies I’m wearing just so people know where to get it."

Radziwell sometimes wears gifted items, but "it's random," like T-shirts, "but nothing that stands out." And she doesn't seek out loans because the "Housewives" filming schedule doesn't allow enough time to tailor pieces to fit her "shrimpy" frame. However, Morgan, a former model, has reached out to her designer connections for loaners. "I wore Alexander Wang before I was wearing my collection [on the show]," says Morgan, who cameoed in the designer's T by Alexander Wang 2014 short film starring Chris Kattan's Mango and Behati Prinsloo. "I borrowed Valentino, Vera Wang, Ralph Lauren."

Despite the different styles of programming, all these reality shows do try their best to avoid one very real predicament: duplicates. On "The Voice," Hirsh goes as far as performing mathematical equations to ensure certain colors aren't overused throughout the show. It's also her job to make sure that in group numbers, "everybody has their own lane," i.e. their own color palette. That helps differentiate contestants and prevents the group from looking "matchy-matchy," like an early aughts boyband. Fetman gets a little involved during the "Bachelor" and "Bachelorette" contestants' solo rose ceremony prep to avoid potential bitch-stole-my-look situations. "I would never allow them to be embarrassed by having two people wearing the same dress(formal dresses Adelaide)," he says. While Fetman would never explicitly tell someone what to wear, he does employ a little subtle encouragement. "'Maybe show me the second choice?'" he says, as an example. "But that's the only thing I do."

The resourceful ladies on "Vanderpump Rules" take that responsibility into their own hands. "We have a group chat and we usually talk about it before, like who's wearing what color, and we'll ask each other for approval. Or we shop together," Marie says. There must have been a communications breakdown before Katy and Tom's "linen and lace"-themed engagement party, however.

"Stassi had says she wanted to wear light blue to the engagement party and then Kristen showed up in almost the exact same color and Stassi was like, 'um, we talked about this, like, why are you wearing the same color as me?' And Kristin was like, ‘oh no, this is, like, silver,'" Marie explained. (You be the judge.) I mean, it happens, considering that good friends (or frenemies) tend to share sartorial leanings.

"I have a memory of Ramona [Singer] and Sonja coming in with the same leopard print kind of dress," laughed Radziwell. (Oh, Ramonja.) "I mean, it happens in real life. You go to an event and you walk in and some other girl's wearing your dress and it's OK. Girls are cool about that. You know, we did probably do a 'who wore it better' — behind their back."

6 years old, first time mother wearing white shirt sewing admission grade, a kid from the dirty face and sunny all day because, as busy against the sand, in the mirror I realized then that I did not so bad.

Smudgy wiping face another away, neatly braided hair and the other was threadbare, white shirt collar area lotus mother meticulously cutting, stamping carefully patterned skirt with purple ranked pli three buy, to look well "oách "funnily enough of.

From that time on, I considered the most stupid thing a girl can do is throw away the shirt. Or is routine in any fashion shop, from the spotless new to old secondhand, I have looked to the first row shirt, though in a less than 2m breadth cabinets my legions Profile mi is cry bitterly for not knowing where to come in.

Shirt is the first fashion items help I realized I was a girl. First of all size dresses(formal dresses online australia), makeup before, before items momentum tune any girl my age also owns, except me.

I can not buy the whole year a new dress, but I would probably autism if a week is not wearing shirts. Old also. Stock virtue also. Boat neck also. Victorian momentum rhythm also, that such casual dress pristine white collar my heart was in a fair hunt spring as possible a few years ago ...

Like the girls could tell walled name ranks its age, weight, height, even the "level" of the glasses of his former lover ever bring, I can tell no fault characteristics, materials of the each shirt was I brought back.

Like the girl in the head can record every moment of the first love, the love Monday or their present; I can remember with this shirt, I how to get it, with the other shirt, I was wearing it on what occasions, or if I have to rush that trot forgotten shirt somewhere that does not, I will bring them back at all costs no more than two days after ...

There's clearly a previous life, I owe almost nothing to the shirt or not, but in this life, like a girl you've ever sarcastic, my lack of love also, but did not complete lack shirt. I will be sad, I will be depressed, I would even lonely.(http://www.dressesmallau.co/formal-dresses-melbourne-c326/)

So, if the next life, or the life after that, asked him not to make me choose heaven. Just me and the shirt, it was enough ...

Prepare gentlemen because this is going so fast that if you blink, an important part of the story is lost.

After the Sabbath was given the first "casting" to elect the new Miss Panama, now transpired that since yesterday, by opinion of the jury, we already have a candidate to represent us in the Miss Universe 2016, yes, official and notarized.

Cesar Anel Rodriguez confirmed to the website of "everyday" , which, indeed, was a reality and that the higher the score, the girl in question had been elected; He also assured that next week will release the new queen of beauty of the country and will be held the coronation.(best formal dresses)

Remember that the rest of the youth of that hearing, and those that lie ahead, in addition to the regional competitions are girls who enter immediately into evaluation to choose the 20 finalists who will compete in January for being Miss Panama 2017, for contests that year; This decision was taken to have several months of preparation with the elected and polish for best results.

The most talked

Of course, and the effect of meat on a stick, we could not help giving us our tour of the "casting" on Saturday, and know that since that time there were four favorites for the crown this year. Yes, gentlemen, obviously we can not assure you that one of them is, as the identity of the lucky is practically a state secret, however, not be now, these girls are "almost certain" to the 20 finalists 2017 options, as we hear .

Laura Di Sanctis, who is a model of different advertising campaigns and Physical agency; Margareth Luna, who came to know that designer dress(http://www.dressesmallau.co/semi-formal-dresses-c196/) to the hearing; Julianne Britton, also a model, and last but not least because, in fact, is the most high-profile, is Keity Mendieta, better known now (for reasons so far unknown) as Keity Drennan, who was a finalist for Miss Panama 2011.

Justine Pasek

We chatted with the "miss" Universe 2002, and now general manager of the contest, for comment. "The girls were very sweet and he shared with the jury what motivated them to join the 'casting' ... It was an honor to have confidence," he said and thanked the support and assistance that day.

Justine assured us that there is "very good potential candidates for Ms. Panama", but two are still missing auditions. "We have to finish the process," he said.

Grace, refinement and creativity are the watchwords of the evening awaited the main event of the authentic Moroccan high sewing "Caftan 2016", which celebrates its 20th anniversary in the ocher city, with collections of the finest stylists Moroccan, reflecting a re-interpretation of the millennium and diverse cultural heritage of Morocco.

More than a parade of traditional costumes, the evening of "Caftan 2016", held at the Palmeraie Golf Palace & Resort, was the moment of revelation of the coming trends for Moroccan haute couture, pallets colors and fabrics to be taken by the woman who always tries to show elegant.(cheap formal dresses)

The 14 designers present at this edition, managed to dazzle the audience with the beauty and magic of their collections inspired by the theme of this edition "eternal costumes", and compete ingenuity drawing female silhouettes another time through rich color palettes, precious fabrics, elegant cuts and finely crafted accessories.

Outfit with which the mannequins are dressed themselves, the majority were lined by hand with gold and son inlaid crystal stones, especially surprised by their quality, their sublime marriage of colors and brilliance.

Meryem Boussikouk, Samira Mhaidi Knouzi, Meriem Belkhayat Nisrine Ezzaki Bakkali Siham El Habti, Abdelhanine Raouh, Khadija Elhoujouji, Salima Elboussouni, Myriam Bouafi, Fouzia Naciri, Zineb Lyoubi Idrissi, Halima Chami, Nadia Benjelloun and Amal Idrissi have all tried to get the challenge of creating a collection that tells the story of King costumes, the caftan, which alone embodies much of the beautiful history of inventiveness, creativity and intelligence.

This year, each designer presented six outfits in which he chose to preserve traditional lines seems to have turned its back on deconstructed cuts and asymmetric, to keep the end a caftan that flirts with evening dress(http://www.dressesmallau.co/short-formal-dresses-c103/), combining the chic simplicity with the motto of sublimating Moroccan women.

Creativity in the field of caftan is not kept women hunting, since among the exhibitors at this 20th edition Figure Moroccan designer, young rbati Abdelhanine Raouh, which gives free rein to his creative imagination to showcase the lines women in new forms and unexpected volumes.

"Caftan 2016" was marked by alternating the show of fashion and artistic paintings also inspired by various world cultures. Moroccan artist Samira Said and Bachir Abdou were also of the party at this edition, alongside the rock star Samia Tawil.

The evening ended with a very patriotic finale, highlighting what united all the public, namely a Moroccan vibrant, rhythmic and colorful whether by birth or affinity.

Launched in 1996 by the magazine "Women of Morocco," Kaftan is twenty years the main event of the Haute Couture Moroccan and Arabic as well as an essential reference in fashion.

Since its inception, Kaftan wants emanation of Moroccan and Eastern creativity, and is part of a real revolution in traditional dress and accompanying the evolution of Moroccan women.

Each edition is dedicated to the development of high Moroccan and Eastern couture, through innovation and artistic creation, and is enhanced by the massive participation of famous stylists Moroccan caftan, which gave a lot to this art, in trying to connect the past to the present and ensure that the caftan, while subject to innovations, keeps its original and traditional look.

Understanding your body is the key to looking good and a trait found amongst all impeccably dressed fashionistas. While people shy away from talking about their bodies, these brave souls explain how they work their anatomies to their advantage(white formal dress)

How would you describe your body type?

It’s hard to categorise your own body type, but I would say my body is more pear-shaped — I have a thin upper body, but a tricky lower abdomen that needs the most attention in terms of toning.

Has your body type changed over the last five years?

Tremendously! I used to make bad food choices, and got away with eating almost everything before my first-born. I had never worked out, and didn’t feel the need to. However, during my pregnancy, I ended up gaining a whopping 23kg, over and above what one normally gains. That’s when I really struggled with my body. I started working out, initially only with yoga, but then added cardio and strength training to my routine as well. I started making healthy food choices, like substituting carbs with super-carbs, brown rice instead of white, whole-wheat pasta instead of the regular kind. Two years later, I was in the best shape of my life!

How has your style changed over the years?

I used to adhere to baggy shirts and only experiment with my lowers — everything from skinny jeans to printed pants, to culottes, to flared pants. I could never pull off a fitted top, and shied away from exposing my stomach. However, now that crop tops and ghagra cholis are in fashion, I love wearing short tops. You can pair them with flared pants, pencil skirts, or wear them with jeans and a long structured jacket. For me, fashion is about experimenting. Thanks to Instagram and fashion magazines, international style-spotting has been made so easy. Even our local prêt wear is in line with with international fashion trends.

In your opinion what is your most troublesome area?

Without a shadow of doubt, I would say my core.

How do you dress(http://www.dressesmallau.co/yellow-formal-dresses-c172/) your body according to your body type?

I try to wear clothes that complement my body well. I have skinny legs, so a nice pair of fitted skinny jeans does the trick for me. I love wearing classic tops and especially love clothes by Anne Fontaine. They are vintage and so trendy compared to the boring shirts we see everyday. A crisp black and white shirt with a statement clutch and a pair of flattering jeans is my go-to look!

Sportina Group, a leading retailer in Southeastern Europe with more than 315 trades in nine markets, opening 7. 4. 2016 first independent trade Esprit in Croatia. The store will be located in the shopping center City Center One West in Zagreb. With independent trade only in Croatia, which will certainly bring a new wave of fashion on the Croatian market, fashion brand Esprit is available from the second month and in multibrand stores Sportina.(formal short dresses)

Esprit is on the market since 1968. Simplicity, freshness, authenticity and relaxed just a part of fashion attributes and successful fashion brand. The new collection Spring-Summer 2016 is his followers indicated that the inspiration for the modern look can look everywhere, and it can be modern and in their daily operations. The beauty is in the details.

The collection, which flirts with the style of the 70s, photographed in Paris with the famous Canal St. Martin. Blogger and model Candela Novembre and Argentine model Maximiliano Patane are walking through the picturesque landscape of this Parisian neighborhood show the playful side of the latest collections. In the local bistro are afforded a glass of good wine in a cafe around the corner sip scented coffee. Bought the first spring roses, crispy bread and other precious trinkets that adorn life. Esprit is in the spring-summer season, supplemented style seventies layered dressing: bulky sweaters are combined with tight dresses(prom dresses). Wide know, light blue jeans, a special overalls in denim will be playful pieces with which to flirt Esprit fashion lovers. The collection is intertwined boho style, which is in its own way provided a combination of romance and freedom.

Skirt lengths barely register at the latest exhibition at Les Arts Décoratifs. They simply can’t compete with more dramatic changes in silhouettes across 300 years of French fashion history.

Women’s waistlines rise and fall like the puck on a carnival high striker. Sleeves balloon and deflate during the so-called romantic period, while skirts seem only to expand across the 18th and 19th centuries, bulging to the size of a walk-in closet and supported by cruel wire crinolines.

By contrast, men’s vests performed an incredible shrinking act, from long, loose and flaring around 1700 to short and body-hugging by 1800.

The task of narrating and decoding this dizzying shape-shifting fell to Pamela Golbin, chief curator of fashion(http://www.dressesmallau.co/black-formal-dresses-c104/) and textiles at Les Arts Décoratifs, who opted for a chronological showcase that mingles treasures from the national costume archives — from Napoleon’s coronation stockings to a hooded sweatshirt right off Vetements’ fall runway — along with rare furnishings, wallpapers, toys and objects from the museum’s other collections.

Titled “Fashion Forward, Three Centuries of Fashion” and with H&M as exclusive sponsor, the display marks the first time a fashion exhibition has taken over the museum’s grand nave. It opens to the public Thursday and runs through Aug. 14.

Leading WWD on a private visit Monday, Golbin recounted how fashion has always been a signboard for stature, a reflection of changing tastes and lifestyles and — for long periods in history — hugely uncomfortable for women.

As artistic director of the exhibition, choreographer Christopher Wheeldon, who won a Tony Award for “An American in Paris,” created short movies with dancers from the Paris Opera to show the piles of panniers, corsets and petticoats that underpinned a robe à la française, or sack-back gown, the template for women’s clothes for almost two centuries, the volumes swelling from the hips in the era of Louis XIV, and from the derriere under Napoleon III.

Across the displays, set in a series of nooks before culminating on monumental staircases under the soaring ceiling, Golbin has sprinkled fascinating anecdotes, revealing that even restrictive fashion had a practical side. For instance, among the 300 or so ensembles on display are multiple examples of what Golbin called a robe à transformation, a two-piece dress popular in the mid-1800s.

“A fashionable woman could change clothes five to seven times a day,” she explained. “This idea of mix-and-match was very important because these dresses(http://www.dressesmallau.co/formal-dresses-canberra-c329/) were quite big investments.”

Similarly, under Louis XV, women could alter the appearance of pinch-waist gowns with triangular panels of embroidery stitched or pinned to the stomach.

Golbin included displays of accessories with most vignettes, ranging from Lalique perfume bottles to Empress Josephine’s impossibly narrow shoes. Oddities include the courtly costume for Louis XV’s pet monkey — all the rage at the time — to a paper doll set from 1860 called “Modes Parisiennes,” which itself plays with the evolution of the silhouette and the elaborate nature of period fashion.

The designer era is heralded with two dresses by Charles Frederick Worth, who opened his couture house in 1868. “Up until then, women chose their own style with their choice of fabric, accessories and embroideries,” Golbin explained. “He said, ‘I’m going to create for you.’ All the rules of contemporary fashion started with Worth.” Cue seasonal fashion shows, celebrity designers and the branding era.

Among treasures on display is a cache of outfits by Paul Poiret that announced the umpteenth return of the Empire waistline — and an emphatic rejection of the corset. The modernity of ensembles from the Twenties and Thirties by Chanel, Lanvin and Mainbocher is particularly striking.

The circuit culminates with the coiling staircases, where visitors can gaze up at designer fashions from each post-war decade, from full-skirted New Looks by Christian Dior to an “unwearable” metal dress — and multikilo Plexiglas and feather cape — from Paco Rabanne.

His-and-hers beaded dresses from Jacques Esterel announce the Seventies and remind the visitor that androgyny is not such a new idea. Noteworthy dresses include the buttock-baring Guy Laroche gown worn by Mireille Darc; a caped Emilio Pucci ensemble commissioned by nightclub powerhouse Régine Zylberberg; one of Karl Lagerfeld’s first suits for Chanel, circa 1984, and his sequined tuxedo jacket for H&M 20 years later that ignited the frenzy for high street/designer collaborations.

In a side project, H&M partnered with Les Arts Décoratifs for the latest edition of its Conscious Exclusive line of red-carpet looks made from more sustainable materials. Inspired by the archives of the museum, the 33-piece line is to launch Sunday in around 180 stores worldwide and online.

The museum’s fashion collection spans more than 150,000 items, ranging from ancient textiles and outfits to couture and ready-to-wear creations, accessories, drawings and photographs.

Too many weddings this year? If you can not afford a new look in each of the links that you have been invited, we propose ideas based on add-ons to turn around completely to that dress or jumpsuit in which you have invested and you have to go back to use.

Before you start repeating your closet do not forget the possibility of rental Rental Mode spaces as those based in Seville, Marbella, Jaen, Jerez and more points of Andalusia. Nor the most economical of all, bring together friends and family who have the same size in your home and bring those dresses(http://www.dressesmallau.co/blue-formal-dresses-c106/) that have already been placed and do not want to repeat in your upcoming wedding. That she does not want to be, it may be perfect for you. And it's a perfect excuse to get together with friends and have a good time together.

If you are faced with the need to recycle in your own closet, the key certainly found in supplements. For you to see the difference we will use three pieces to make them completely different looks thanks to the shoe, hat, bag, belt, etc.

A monkey culotte

The Masaiko of coosy (185 euros) monkey has inspired us many possibilities. It has the feel of Japanese air with a V-neck and crossed loop trend also is the long midi and cutting culotte pants. His blue satin effect makes it an original color and also perfect for weddings in 2016. You can use both morning-afternoon wedding and night.

Option 1 guest first look

This first proposal is perfect for a wedding tomorrow. The pastel shades are combined with the monkey from the bag, a special clutch cover transparent acrylic with floral print of The Code signing (49.90 euros), as the shoe stiletto opted for a classic tone-pink makeup Menbur patent leather (44.95 euros) and complete with air vintage earrings Parfois (4.95 euros).

Also for the choice of wedding tomorrow you must add a hat, we like the selection in nude tones of the new collection of Nana Golmar building also it offers custom-rental service. The final result of the look is romantic and soft, for the guests of sweet and refined style.

Option 2 guest first look

For those who want to carry that monkey on a wedding evening contonos opted to combine silver instead of the nude and gold of the previous option. We found some original and modern earrings Zara (12.95 euros), footwear is Uterqüe and has very special heels with rhinestones (245 euros) and the finishing touch is provided by a clutch of Mibúh with peacock feathers effect (110 euros) . It is elegant with a modern and chic look.

Pleated midi dress

For the second dress, one long and asymmetrical pleated midi Asos (98.99 euros) in color block with three very appetizing shades this season: bougainvillea, rose quartz and blue.

Option 1 guest second look

In this combination bet for silver tones on the heels Boohoo (38.99 euros) knotted ankle straps, the bag is rigid and soft floral print pictorial style of Ted Baker (181.99 euros) and would end the look with a headband Jennifer Behr (565 euros) with Swarovsky crystals, you can find a similar style at low cost firms. The result is a sophisticated and full of details look.

Option 2 guest second look

In this second look styling in combination with golden heels Essence Nuria Cobo (99.95 euros), transparencies combination of metallic leather and make a point of attraction of the look. To decorate the hair look one of the headdresses(http://www.dressesmallau.co/vintage-formal-dresses-c110/) Cherubina to El Corte Ingles, the model Diane satin and veil (39.95 euros), and complete with pearl earrings with signature design pin Oasis (10,90 euros ). The result is a delicate and beautiful look reinterpretations of pearls and headdresses.

long dress with transparencies

You fell in love and invested in that long dress with transparencies signature and you have to reuse it a year later. This we choose in purple is Bdba and costs 169 euros (reduced from 421).

Third Option 1 guest look

This dress is ideal for a wedding later in the protocol allows us to go long. To complement seek allies golden as these earrings flower XL Mango (9.99 euros), with a basic clutch gold that you can reuse in many events of this kind, is Parfois (19.99 euros), finished this look with a touch thanks to distinctive floral print sandals from Ted Baker (84.99 euros). The result is a night full of strength look.

Third Option 2 guest look

Nobody is going to stop looking at her bright red lip-shaped clutch Lulu Guinness (230 euros), the contrast with the purple is spectacular. For footwear bet on a silver sandals with gold studs and a red sole Carvela (197,99 euros), while the previous look gambled on outstanding protagonists this time looking for something more minimalist but no less special. Games' ear cuffs "are the latest and east of Johnny Loves Rosie is very economical (30.99 euros) and takes perfect if the hair mane to one side, the opposite slope to the chain.